"Sticking
to it" is not one of the easiest tasks for writers. We are definitely a
breed of procrastinators, errand-doers and volunteers, aren't we? Anything to
avoid sitting down and
writing. Most of the writers I know—even the very successful ones—struggle to allocate writing time. Writers on tour, when not reading at a bookstore, are ensconced in hotel rooms, writing under pressure from publishers (I want their problems).
writing. Most of the writers I know—even the very successful ones—struggle to allocate writing time. Writers on tour, when not reading at a bookstore, are ensconced in hotel rooms, writing under pressure from publishers (I want their problems).
I did my best
writing when I was passionately attached to a project, and when I had scheduled
time to work on it. Midnight to 2 or 3 a.m., and no, I'm not kidding. I would
prefer to work mornings—undisturbed. Unfortunately, the world does not respect
working time for writers and we allow that to happen. So first comes
self-respect, in the sense of protecting our writing time from the world's
advances. Saying no isn't easy, but it has to become part of our vocabulary.
No, I can't babysit. No, I can't stay home all afternoon waiting for the
repairman. No, I can't bake for your sale. No, I can't walk your dog three
times today. No, his diapers can wait. (Just kidding!) No, just no. Pick your
battles—some things are just impossible to turn down (like the diapers)—but do
pick them. Some hours have to be your own. Mystery writer Kate Flora started
out as a stay-at-home mom, stealing time during their naps. The kids are grown
now, but she's still writing.
I'm
retired, and frankly, I found more writing time while I was working; I would
come home late at night from a copy desk shift and start writing to unwind,
while others slept. Before I knew it, it was 3:30 and I was getting tired.
Unfortunately, the parade starts early the next day. The house comes alive with
telemarketing calls, lawn mowers, barking dogs, renovators, septic tank
drillers, screaming kids, new Facebook posts.
Quite
often, these are the ways I find to keep at it:
1. Leave
the house. Just pack up what you need and head for a coffee house, library nook
or a friend's empty house (if offered) to remove yourself from both
interruption and temptation. If you have kids, arrange for play dates, sitters,
long naps (you can hope, at least), more don't-disturb-mommy time.
2. Feeling
brain dead? Thumb through any of the better books on writing; this often
stimulates creative energy and new ideas.Some of my
favorites: N.M. Kelby's "The Constant Art of Being a Writer;" Brown
& King's "Self-Editing for Fiction Writers;" Noah Lukeman's
"The Plot Thickens;" Josip Novakovich, "Writing Fiction Step by
Step;" Jeff Gerke's "The First 50 Pages" and "Plot versus
Character;" Sara Maitland's "The Writer's Way;" Elizabeth George
on "Write Away." There are
dozens of wonderful books by writers, books by editors, books to inspire or
teach technique. The main value of all these is to stir the creative area of
your brain. I find an almost immediate urge to write.
3. Read
short stories. Collect a few volumes of short stories—best to look for authors
who interest you—and study them. Really study them. Look at their story set-up,
character intros and dialogue, resolution. Learn how it's done, then give it a
whirl. Yes, you can try this at home. Short recommendation list: Jhumpa Lahiri,
George Saunders, Hemingway and Faulkner, Annie Proulx, T.C. Boyle, Ray
Bradbury, Ray Carver, Edwidge Danticat, Flannery O'Connor. There are far too
many to do a serious list. Browse the library or bookstore shelves, or use
Google to find titles. Find out how "they" do it. I recently advised
a writer to copy some paragraphs from a favorite writer. She looked at me as if
I'd just advised her to lift her shirt up. Yes, it's OK. Doing this helps
instruct the brain in new ways of writing. You're not stealing for publication;
you're doing exercises.
4. Take a
notebook and go to a quiet, beautiful place. Or a busy street corner. Note down
what comes to mind—it doesn't have to be related to what you're working on. The
idea here is to boost powers of observation and give birth to ideas. Even
venting has its role in quieting a writer's restless mind and returning it to
some better place.
5. Take
breaks when energy flags. Just don't let them take control. I find that
relocating to a different room (if there are not other interruptions around)
helps me to engage in what I'm writing about.
I'm in my
office now, surrounded by writing books and supplies, photographs and their
inherent memories, a fan—which keeps me from fleeing to air-conditioned stores.
I have all that I need (including free food in the kitchen), but any number of
interruptions is possible: just now, my husband kicked my chair as he passed
behind me—to grab the water bottle he forgot when he came in to open the window
I hadn't asked to have opened, after
he came in to find the checkbook I'd been trying, impossibly, to balance that
morning, and after he asked twice for
some tidbit of information ... you get it.
Then
there's the other stuff on today's list. The gym. Packing for vacation. Gift to
buy. They're on your list too. Just try to corral them into an appropriate
time, rather than letting them dig into your writing space. It can be done with
conscious effort.
Good luck!
And stay seated.
Ann Connery Frantz began writing
fiction after a career in journalism. She is a cofounder of the Seven Bridge
Writers Collaborative, a free-lance writer/editor, and writes about books,
authors, book clubs and restaurants for the Worcester Telegram & Gazette.
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